Sunday, July 12, 2009

867th Post - Mrs. Greenthumbs

You are looking at the admission ticket to a taping of the Mrs. Greenthumbs show, circa 1998. I know I have not discussed the circumstances behind attending that taping. I will now.

I was listening to CJCH one morning, back when Brian Phillips was the host of the Hotline. His guest for a bit was Mrs. Greenthumbs, a.k.a. Cassandra Danz. She would be in Halifax taping a new tv show, and was giving away tickets to a taping of said program.

I remembered her from various tv appearances; her passion for gardening was nearly palpable. How she ended up here taping a show is a mystery to me. But she did, and she was, and I managed to finagle tickets for Patricia and me.

We arrived at the Cinesite studios at the appointed time. We were shepherded to our seats. A producer came out and explained what the show was about (gardening, with some humour thrown in) . She also explained how we should behave during the taping. If Mrs. Greenthumbs said something even mildly funny, we were to laugh as if we had never heard anything so amusing in our lives.

The lovely Doris Mason played piano in the background of the set. She had a co-host, a guy in a green suit. Mrs. Greenthumbs came out and the taping commenced.

We laughed when we thought we should. I'd see the camera man pan around the audience. . They would later integrate the audience shots into other tapings to give the impression that there were hundreds of us, rather than dozens. I got into it, slapping my knees and shrieking with laughter; sometimes, I'd take my glasses off and wipe away pretend tears when the camera man panned by. One other time, I smiled at the camera and waved.

During a break in taping, Mrs. Greenthumbs hung around and pointed to some audience members to dance with her. I was one of the chosen men. We danced around the studio a bit (if you want to call what I do "dancing", which I don't. It's more like lurching around as if I were in great pain). She released me from my torture and I returned to my seat. At some point in the evening, she signed the above ticket for me. Her co-host, the guy in the green suit, signed the back. Maybe you can make out his name, but I can't.

I eventually watched a couple of episodes of the show. It wasn't very good. I never saw myself on tv, but others apparently did, making a damn fool of myself pretending to laugh my ass off. The producers must have realized that the show wasn't very good, because the second season was marginally better than the first. There was no third season.

Mrs. Greenthumbs died in 2002. She has been quickly forgotten, which is a shame, because she was a talented actress who found this gardening niche to work within, and made a good living doing it for years and years.

I kept the ticket she signed for me, pinned to the bulletin board at my work for years. Not sure why. It was an interesting night out, I guess, and unique enough an experience that I wanted to keep this one memento. When I left that job, I brought some personal effects home with me. This evening, as I was cleaning, I found the ticket and nearly threw it out, when I realized it could become a blog post, which it now has.

If you happen to catch a repeat of the show on some obscure cable network, and see a guy in the audience laughing himself into a fit of near apoplexy, then, yeah, it's me. You're not imagining things.

Mrs. Greenthumbs would like it that way.

Bevboy
P.S. T-4 days!

Saturday, July 11, 2009

866th Post - Urban Exploration

When I was researching some web links for the recently-published Peter Duffy interview, I chanced upon a website that made me lose a couple of hours to it.

I was looking for more information about The Green Lantern building in Halifax when I found a website that intimated that there are urban explorers in Halifax, in the province, who have been in that building. Ravaged by Hurricane Juan in 2003, it has not been open to the public. The Pogue Fado remains open.

What is urban exploration?

I'm glad you asked.

Urban exploration is what urban explorers do.

What are urban explorers?

I'm glad you asked.

Urban explorers are people who enter abandoned and/or condemned building and explore them. With the internet and things like digital cameras, it is increasingly easy for these folks to find each other and plan and plot urban exploration expeditions.

I am aware of one book which deals with this aspect of our culture. It is called "Creepers", and you can read more about the book by clicking here. I have the book, and will have to do some urban exploration of my own to find it, seeing as how it's buried by some other books in the house somewhere.

This website shows all of the urban exploration expeditions that have been undertaken in Nova Scotia, or at least the ones they care to admit to. You see, this is a highly illegal activity: They're breaking into private property. And it's dangerous: These buildings are often falling apart, may be full of mould, or vermin, or whatever. It's not a place you would probably want to be.

You'll notice that one of the places they list is "Canning". I'm from that part of the province, so I clicked on that entry. A couple of guys broke into a building, looked around, and shot some pictures (mostly interior shots) of... my old high school!

I spent 3 pretty agreeable years of my life at Cornwallis District High School. It closed in 2001, and I was there for the closing festivities. Afterward, the community tried to keep part of the building going, but it was too expensive, or too much bother, so they threw up their hands. The building was razed around 2006. Sad day.

It was sad, as well, looking at the pics that these guys took. The building was in a poor state of repair. It is not fun to look at them. Yet... I feel a little debt of gratitude to these guys for capturing the final images of the school.

Do you want to join the Urban Explorers or get my information? Good luck! The website and an associated (closed) facebook presence were all I could find on them. Even much of the website is unavailable to me. However, one piece I was able to pinpoint indicates that their next meeting is on August 2nd at noon at the Just Us! coffee shop on Spring Garden Road. I knew there was a Just Us! place on Barrington, but not on SGR.

Other times they have met at the Second Cup on Spring Garden Road. Whoever runs the local chapter would write "UER" on a small piece of cardboard-type paper and fold it to make it look like a tent, placing it on the table he's sitting at, as a signal to interested parties to come over and join the conversation.

An interesting part of our underground culture, huh?

But... I still wonder if they ever got into the Green Lantern Building? And what they found therein?

Bevboy
P.S. T-5 days!

Friday, July 10, 2009

865th Post - Interview with Peter Duffy

video

Peter Duffy Questions -- May 21, 2009

Peter Duffy and I met at the Pogue Fado on Barrington Street. It is a storied place, the Green Lantern Building, and has a significant place in radio history, which I will discuss with another person in another interview to be published soon.

Our paths have crossed a few times over the years, and it was nice to renew this acquaintance. We talked for quite a while over a decent meal.

Here is our conversation.


1. Your final column on March 19, 2009 quoted a message you received from Ivan Smith in Canning to the effect that he wanted you to get off the boat and wander around for a while. It is a lovely metaphor, and I wish I could remember exactly how it was worded. You have had 2 months away from the grind of producing regular columns. How is the lay of the land?

Peter Duffy: Well, I've taken Ivan's advice. It really encapsulated how I was feeling: That leaving the Herald was not the end of everything. it was the end of one chapter, and the beginning of another chapter of my life. I even bite my tongue if I catch myself saying the word “retirement”, because I don't feel retired. I'm catching my breath between adventures. The Herald was one adventure; the next adventure hasn't begun yet.

So, I fetched up on a strange beach. That's how I think Ivan put it. I've stepped ashore to explore. For the last two months I haven't stopped smiling. Even my doctor – I came from a doctor's appointment this morning – says he hopes he can look as relaxed as I do when his turn comes [chuckles].

I'm feeling very relaxed. I've been very selfish. I haven't joined anything. I haven't applied anywhere. I'm not rushing for any new adventure right now.

It was so hectic at the Herald at the end, so hectic I was afraid I was going to get ill. Literally, the stress; stress is a killer.

Bevboy: Because of the layoffs?

PD:And I was president of the union, pushing back against those layoffs against the company. It got so hot and heavy for the two and a half months that i was the union president. I'd no sooner become president when the roof fell in, figuratively. They were two and a half of the most intensely stressul months I've ever had. The last time I was that stressed, many years ago, I got cancer. That was at the back of my mind as the stress built up at the Herald at the end. Oh, my God.

Plus, last year, I got shingles; stress is a major cause of shingles. God, that was painful!. That was more painful than cancer. if you've never had shingles...

BB: Never.

PD: Don't even have it in your mind because you don't want to attract the gods [chuckles].

So, there was a lot of stress and a lot of worry in the back of my mind. When I stepped ashore, on March 19th, I walked out of the Herald. I did not look back. I loved the people there. I loved what I did. I enjoyed it, and I was grateful to the Herald for all the freedom it gave me. As a columnist, you have an awful lot of freedom to say and to pick your own topics. and to say what you please about them. I was grateful to the Herald for that. I was sad about the way it all ended for myself. It's not how I imagined finishing my newspaper career, with layoffs and buyouts and stuff. I think there were 17 of us who stepped ashore that fateful day.

But, you're asking about me. I stepped shore. I did not look back. I got in my car, and drove away. And I haven't looked back since. I am relaxed. I'm happy. I'm enjoying my life. I'm not doing much. I'm puttering around. The days are passing pleasantly. When I hear my wife's key in the door -- she's a high school teacher; she gets home 4:30, five o'clock -- I can't believe the day has gone. Oh, my God! Where did it go?

It was a happy day, catching up on books. I have a stack of books by my easy chair.

BB: We all do.

PD: And now I'm finally getting to them! I may even hit War and Peace. I'm just puttering around. I have a big project: My neighbour is going to help me build a deck, a huge deck at our place. My wife and i have a place near Hubbards. I have no idea how to hammer a nail. I'm that weak with wood working. My neighbour knows how to do it. I will be the gopher. He's designing the deck. And he and I will build this deck ths summer.

BB: Good!

PD: We'll go down; maybe he and I stay overnight. We'll work until we've had enough, and we'll stop and go into the house and drink some rum, tell tall tales, and get back to it the next morning. We'll work a couple of days the next week, and it will get built.

I'm not even looking for any new adventures beyond that because I wouldn't be able to accept them if they came my way or if i caused them to come my way, because I have this lovely physical project to do. No more brain work. For the month of June it's going to be muscle power.

BB: Excellent.

PD: And I'm looking forward to it. Just being with the guys.

BB: Have you worn a tie in the last two months?

PD: [chuckles] I was naked without a tie. Bev, I haven't worn a tie since March 19th. And people have remarked on it. I've been to do's, retirment parties for other people, and that's the first thing people have said to me. "My God, you're not wearing a tie!". I'm proud of it.

I still have my sixty ties in the closet. I still have my eighty shirts in the closet, summer/winter. I can't quite bring myself to throw them out. But my visits to Sears have just plummetted. I would be there every Saturday looking for sales of shirts and ties and so on. I think I've been there twice since I left the Herald.

I mean, there are a lot of changes. I'm [in] t-shirts and jeans now. I went to my doctor in a t-shirt and jeans. I never did that. i would always go from work fully dressed. [chuckles]



2. Do you miss doing a column?

PD: Bev: No, I don't. I didn't think I'd ever hear myself say that. But I don't. Or, is it the deadlines I don't miss? I'm still trying to figure that out. It puzzles me why, after writing a column. I wrote my first column in 1966, not for the Herald. This is out West. I've been doing columns off and on for forty-odd years. So, after such a short time away from the business, why would I not just be pining, going through withdrawal symptoms? I don't know. But I'm enjoying just being a civilian, if I can put it that way. I'm enjoying reading the newspaper without my radar on.

A columnist has to have his radar going on constantly. Looking for ideas for columns. You cannot read your own newspaper or another newspaper without that radar just tracking slightly ahead of each word that you're reading, looking for an idea for a column [whose] deadline is coming at you, in my case every two days.

BB: Four times a week.

PD: Four times a week. And, meeting people: Even when you're not working, you're never not working. I think as a journalist and as a columnist, you are constantly working, day and night. Off duty? [You're] never off duty. Your radar is just going constantly looking for interesting stories. Eavesdropping. We'd be sitting in a booth like you and I are now, and I would be half paying attention to you, and my radar would be half picking up what's going on in the next booth, or the next booth over there. And, my eye would be wandering, thinking, "Is that the premier? Who's he having lunch with?" [chuckles]

And, now, I'm not. I'm focused. I haven't dismantled my radar; it's been too long in use. But I just switched it on low, so it alerts me if there's a car coming or about to cross the road. My radar is the same as anybody else's radar now: Survival radar, as opposed to "Column/Career/Earning a living" radar. And it's nice to be like this: To be like you!

BB: I still work.

PD: Yes. But it's nice to be Peter Duffy. Just Peter Duffy. Not Peter Duffy of the Herald, which is how I would introduce myself. "Hi. I'm Peter Duffy from the Herald". On the phone, when I was working, when I wasn't working, it was your second skin. And, it was fine. I loved it. I liked the Herald. I liked my job.

BB: To what extent did that job define your life? You said you were Peter Duffy of the Herald.

PD: Well, I think I was my job, and my job was me. That's a sad thing to say, to admit to. In one of my goodbye columns, when I was musing aloud in print about [whether] I should take the buy out at the Herald or not, I did say that it was more difficult for a man to step aside from a job, his career, because, in my opinion, a man and his job are more closely linked than a woman and her job, a woman and her career.

Oh, you can imagine the flak! [chuckles] But, I still maintain it: That a man is his career much more than a woman is her career. A woman is multi-tasking, is multi-faceted. She is her job. She is her career. But she is more. She is her family. She is her faith. She is many things. I think a man becomes his career; it's what keeps you upright as a guy, to my mind, moreso than a woman. And, I still say that. And I don't care who knows it!

BB: My dad is long since retired. He is 78. He has to have something to do. He thinks he'll just rust if he ...

PD Rests than rusts. Bev, I may come to that once I come to enjoying not doing. I'm on holiday, still. I'm being very selfish. I'm not volunteering for anything. I'm not taking on any committments other than a few speaking engagements. But I don't know if that will last. When I feel it's time for the next adventure, then I'll go out and start looking, if and when that time comes.

BB: Have you been approached?

PD: By anybody? No, no. I just fell right off the radar. And that was good. It sounds strange to say, but I'm glad that I wasn't approached. I didn't need anything other than just to be quiet and still for a while. I needed to catch my breath. And I'm still in "catching my breath" mode right now.

If something came along, once I got my deck project finished, I would certainly consider it. I might even go out and shake a few trees, a few bushes. But, right now, I'm just very happy being me, just having all the time in the world. And the good weather! The good weather is here. It's just a bonus. My days are a joy. They're so different from my career days, my work days, which I loved, but that was a different adventure. Now, I'm on a new track, a new adventure.

BB: You used to take the Herald van or truck and drive down dirt roads and just find stores. Now, you can drive down those same dirt roads just for the sake of driving down the road.

PD: Yes. I could probably go down every dirt road that I drove down for the Herald and see if completely differently now. In fact, I've done a few, and come back, very refreshed. I went out to see a lady who's become a dear friend. She's going to be 100 this Fall. All the dealings she and I had had over the years had been through the filter of my job. I was doing stories when she was 90, 95. And now, she and I are meeting on a different level. It's part of this swtiching off the radar that I'm doing.

I can do that, unlike my younger colleagues who left at the same time, left the Herald. They still need to work. They still need to earn a living. They have mortgages, families, and commitments. They're young. That was, I think, one of the tragedies of what happened at the Herald this year with the layoffs. There were so many young, talented people who got caught up in the harvesting and the layoffs. They weren't the old farts. These were young people in their late twenties, early thirties, just about to have a baby, just got a new house, new car. And I thought, "My God. How are they going to manage?" Because, there is not a big demand for journalists in Nova Scotia or Halifax. There are fewer jobs than ever before.

Look at what's happening at the CBC now. [massive layoffs across the country] I'm in a different boat because of my age, 66. I'm pensionable, getting severance pay. If I was financially hard up, then this conversation might be very different. In fact, we may not be having this conversation, because I'd be out looking for a job like crazy. [chuckles] I would have no time to do this. But, money is not a problem. And, I felt a little guilty about that in comparison to my colleagues, the younger ones for whom money is a major urgency: The loss of a wage. And, then, I calm myself down. I say, "Listen, Duffy: You've been working since you were 18. That's, what, 48 years? And, you've been working towards being financially comfortable. So, why are you feeling guilty?" But, I did. [chuckles] I still felt guilty.

So, I'm in a good place, Bev: Mentally, emotionally, financially. This is an amazing place that I'm at right now. It really is.

BB: Excellent. I'm glad to hear it.





2.5 Did you ever have a column spiked? Which one(s), and how did you react to this?

PD: Yes. I've had a number of columns spiked. I had some spiked during the troubles at the Herald at the end because we withheld our bylines, as a union. It's one thing for a news reporter to withhold a byline because management can just put on it, "Our Staff". But for a columnist, a column is a personal thing. It's about you, and your reaction to events. And, for the reader not to know who's talking, whose voice this is, it's difficult.

I was aware of that, so when the boycott began, as the union president, of course I had to lead the boycott. I re-jigged my column to take me out of the column and make it read more like a little feature. It was still readable; you wouldn't be puzzled about who the Hell was talking here. It wasn't built like that. But, that column still got pulled because my name wasn't on it. Three [columns] in all got pulled because my name wasn't on it. So it was nothing I'd done other than ask my name not go on the columns as a show of solidarity with the union.

That's one thing. Sometimes I've gone over the line in terms of something I've said. Minorities are very touchy things to write about. Aboriginal people, Blacks, handicapped. Sometimes I've been shrill in some of the things I've said about minorities if I thought that a minority was abusing the good will of the system to the point where you dare not say anything wrong about a minority group, for fear of being accused of being a racist, sexist, ageist, whatever. All of which I've been called.

And, quite frankly, Bev, I found it quite liberating. You think I'm sexist? Stand up and say it, and I'll print it. I'll print your comment to me. I'm racist? Step up and tell me. Write a letter to the editor, or write a letter to me. I'll publish it. And, people did. I found it most liberating because we got that nonsense out of the way now. You got your worst shot in, because those words are like nuclear bombs. Nobody wants to be called a racist or a sexist or an "ist" anything. My God! You can get fired. You can get taken to the tribunal for that. But, once you've been called that, and you're still standing (you haven't been fired; you haven't been sued; you haven't been taken to the cleaners or to the tribunal), it's quite liberating. Not to the degree where you use it as a license to be unfair to a minority group. But after you've been called all those things, to have the courage to still say, "That's fine. However, I still think that the Aboriginal community should have done this ", or whatever the situation was. [It's] because they can't do any more harm to you than they've already done by calling you racist, or sexist, or whatever.

I discovered to my joy that once we got that out of the way, we could talk. I could talk to the Black community, and they could talk to me. I could talk to the Aboriginal community; I could go into their communities, literally. I went to the Prestons once, after being chastized for something I'd written about the Black community. I went to the Black community, and I spent time there, the whole day there, knocking on doors, going to the church, and asking, "Why, as a white person, am I afraid of you? Because I am." And people would talk to me, if you were upfront.

We're not upfront enough. We don't say what's on our minds. We dance. We pussyfoot. We tremble. And, as a consequence, whatever it is that's going wrong continues to go wrong because very few people will stand up and say, "That's not right", or, "That's wrong, and just because you're a minority does not give you the license to wag the dog. The tail wagging the dog. We're in a democracy here where majority rules, and yet not always. Minorities set the tone, set the pace. And, I thought that was appalling. I''m not saying I thought that minorities were wrong, but I was appalled more at the reaction of the majority to just back off, cave in, and say, "Oh, God. You're right. We're wrong. We're bad." And, I'll be damned if I'll apologize for my birthright, of who I am and who I was born.

I want you to talk to me. That's what my column was all about. Me telling you, "This is what I think about you. This is what I think about what you've done, what your community has done. And now you tell me what you think. We'll argue. We'll scream at each other. But at least we'll be talking, for God's sake. And I won't be as afraid of you as I at am now, and you will maybe know a little more about me and not be as afraid of me. Because, my God, we're all afraid of each other.

BB: It's through communication that people come to respect one another.

PD: Yes. It is. And, we're not communicating. We've got all the media. We've never had media like we have now. The ability to communicate, my God with the technology, we've got so much stuff to say, and so much stuff needs saying, and so little is getting said. And, we're all afraid of it. I think if I have any regrets about stepping away from journalism, it's that I won't be there trying to make people talk to each other. Honestly talk about what's on their mind. I'm sad about that. I will miss that. It was very satisfying. Very scary sometimes because of the feedback I got and some of the comments, and the threats.

I once got such terrible threats, and I published them in a column, that the Mounties called me [chuckles]. I never knew until that day that there's a special squad of Mounties based at the Airport whose only job is to safeguard public buildings in Nova Scotia, and public figures. That's their job. The sergeant called me up after he read my column of the threats that I'd been getting from readers on something I'd written about the Iraqi war; and he wanted to know if I had had any threats that were beyond what I had printed in the paper, if there were any that went into threats against public figures. I said, "No. They're all directed at me". The sergeant paused for a minute, and said, "Mr. Duffy, do you feel you need protection?" He was thinking maybe they needed to protect me. [chuckles]

I said, "Oh, my God. I never really thought of that before. No, I'm o.k."

I've never felt threatened in my whole career. I've caused a lot of anger amongst readers over the years, different places, different papers. I had upset a judge in Fort McMurray, the main judge in town; and he phoned me up and said, "You need to be horsewhipped!" He was so upset [chuckles]. So, I've had my share. But never to that degree that I'd need protection by the police, no.

BB: Getting back to the spiking...

PD: Sorry! Spiking.

BB: ...were some of those "ist" columns spiked?

PD: Yes. They would be the ones where I had said what I thought about a minority. I tried to do it in a constructive way, but sometimes my emotions, my zeal, got the better of me. And I went over the top, across the line; and the editor said, "Uh, uh. It ain't running like this!"

Occasionally, it got through, and it was brought to my attention that it was uncalled for, unfair, whatever I'd said was way over the line. If it was, in hindsight, I apologized in the next column for what I'd said in the previous column. I was never afraid to say I was wrong in a follow up column, or that I had crossed a line and apologized to whatever community I had offended if it was plain that I had offended them in hindsight.

Nobody likes to apologize. You'd sooner cut off your tongue than apologize. But I would apologize. And, I found, instead of a weakness, that I gained an awful lot of respect by mistakes that I owned up to. Whenever I realized I had made one, or had gone too far, I would own up to it. I never tried to hide it, because that was getting too much baggage. If you had too much baggage, you can't do the job, at least as a columnist. You have to be up there, warts and all. And, you have to have the trust of the readers. If you don't have that, nobody's going to read you.




3. You said you took out a subscription to the Herald upon your retirement. Do you feel the paper provides good value for your money?

PD: [Long Pause] Bev, I've never had a subscription to a newspaper before. I'd been in the business for 43 years, and I'd always got my papers free. You get free newspapers. You just pick one up when you go in. This is the first time in my whole life that I've ever had a newspaper subscription.

It's an awful thin paper. It has become awful thin. But I knew that anyway, from the inside looking out. I was surprised by how little money it costs to get a subscription. It's a couple hundred dollars for a year, and i was quite surprised because i would get every Saturday's paper. I would buy it because I wasn't in the office on Saturday. I would buy the Globe and Mail and the Saturday Chronicle Herald. I think the Saturday Herald was about a buck twenty five. 52 Saturdays times a buck twenty five is about sixty five dollars a year. That's how much I was already spending on the Herald, whereas for another hundred and thirty five dollars I was suddenly getting the paper every day. So, I was happy by how little the subscription cost me. Financially, I think it's reasonable. What you get for that two hundred and odd dollars, knowing the constraints the paper is under; knowing that the staff is suddenly reduced by that many reporters and editors and columnists; knowing how advertising is continuing to slide; Ithink it's the best value possible. Which is me coming crab-wise at your question. I don't think I could expect anything more, given the circumstances.

BB:They do what the can with what they have.

PD: Yes. I get the flyers. We get them on Wednesdays, and Thursdays. She's "tick", boys. She's "tick". But the flyers are a form of information as well. I know the Herald doesn't put them out; it just carries them.

But [the Herald] is a satisfying package. Some days the package is more satisfying than others. But I woudl not like to be without any of the seven issues each week. I will resubscribe!





4.You seemed to have a warm relationship with Rick Howe; among other things, you covered his final Hotline last year. Is that the case? How do you feel about the state of talk radio in Halifax?

PD: Not a lot of thought, Bev, quite honestly. I was so busy doing my own job. I was always flattered when Rick asked me come on his show, and Andrew Krystal. Those are the only two shows I can remember.

BB: Oh, you were on Andrew's show as well?

PD: I was. I don't know how big the audiences are. Do you have any idea? You've talked to these radio guys? Are they very big audeinces?

BB: it all depends on how they break down the demographics. They say that CJCH had 2.6 percent of the listenership. But they didn't care that twelve-year-old girls were not listening. They were in a particular demographic. And within that demographic it was doing reasonably well. But, once again, twelve year-old girls are the ones buying things, not people our age, [so the question is], what's the listnership, and what's the value of that listenership?

PD: When I go visit my buddy who lives across the road (my buddy who's going to help me build my deck this summer), he always has talk radio on in the mornings. When I've had to go for a doctor's appointment or somewhere in a public building, when I was working for the Herald, I was noting how many times talk radio was playing in the background.

I think there is a market for it. I enjoyed doing it. It's a lot more fun to talk than to write. It's a lot easier to be on the radio to talk, like you and i are doing now, than to sit and play on the computer with words and get yourself more and more confused about should be the best part of the story, what you should lead with, and looking for a good punch line for the ending.

I think if I hadn't been in journalism, I might have tried talk radio. I enjoyed it. I enjoyed the experience. If Rick Howe or Andrew Krystal ever moves over, would somebody call me, please, and give me nod so I can put in an application? [chuckles]

BB: People in the industry read my blog, so we'll see what happens.





5. How do you fill your days since your retirement?

PD: I don't know. I don't know how I fill my days. [chuckles] They just fill. Yesterday, I had to go to Chester to see the building inspector to ask about building my deck. He couldn't see us until the afternoon. So, that's fine. That was the afternoon taken care of. In the whole morning, I read a book about the start up of The National Post. [This was] one of the books I had by the side of my easy chair that I had bought over the years and never had the time or the energy to get to. I'm kind of worried because the pile is going down now.

That's how yesterday passed: The morning, I was with The National Post, all the ins and outs of Conrad Black and getting the Post started. And, in the afternoon, I was on the road to Chester and talking decks and trusses and 2x2's with the building inspector. And, today, I'm here with you. This afternoon, I'll go home. I want to get back and finish my National Post book. It was so interesting.

The days, I putter. The furnace in my basement has got rust spots; there's been water dripping. Over the years parts of it [have become] rusty. I painted my furnace the day before yesterday with rust proof paint. It looks much better now! I feel much better. What's that? A one hour job, maybe. But dammit, it was fun to do. It was mindless, but I enjoyed it. And, whenever I walk past it now, I say, "God, that looks sharp!".

There are just nicks and dings in the paint work in our townhouse in Bedford where we live. I got some touch up paint. As I feel like it, I just do [a little touch up]. Isn't that a stupid thing? A grown man, getting pleasure out of this? But it's just jobs that have been let go. I'm touching up my life, all of these little nicks and dings in my life that I never got to.

BB: It's almost a metaphor.

PD: It's almost a metaphor. Yes. It is. I have my daytimer. The Herald let me take my daytimer home; it was no use to anybody else. I keep it on my breakfast counter. I look ahead, and next week is empty. At the moment, it's empty, but come Monday, it's going to be filling. There will be bits filling in, things that will crop up. Somebody wants to go have lunch. I have to go back and see the building inspector. I have a little memo to myself: "Go on road trip" on a little sticky note that I transfer from week to week. A little nudge to myself.

Listen: The day comes you don't have anything else on, get in the car and go down those back roads. The days pass in a very gentle, nice way. And, when I hear my wife's key in the door at 4:30, 5 o'clock, I'm stunned that it's that time. The time is not weighing heavy. I'm not missing a routine, a rhythm, a purpose. Each day brings just pleasant little puttering.

I'm happy. I'm a happy man.

BB: I'm happy for you!







6. You mentioned before that you didn't mind if people disagreed with your columns, so long as they did not consider them boring. Despite this, are there some columns you wish you had not written because they sparked a backlash or were misinterpreted by readers?


PD:[Long Pause] Bev, I can't think of one that I wish I hadn't written. Even the ones that caused me pain, that came back and bit me, and a number of them did, as we were discussing earlier. They led on to new wisdom, new experiences, new columns.

Getting back to the minority communities: Whenever I upset a minority community, I would get an angry e-mail or phone call from a member of that community. It may be the chief, if it was a Native community.

I wrote a column about a year ago asking, "What do Native people want? They've got the sun and the moon, and they want the stars as well." The roof fell in. Even my own boss came in and scorched me on that one. I got some very, very abrasive feedback from the Native community. So, I invited myself to the community. I said, "Listen. Don't tell me over the phone. Don't tell me in an e-mail. I want to come and meet you, sit down in your kitchen over a cup of tea. You tell me this face-to-face. Let's just talk about this. Let's just find out where I've gone wrong here".

Whether they were stunned at my reaction or what, I don't know. But they would invite me. "Well, ok. You come up. Can you come up tomorrow?" [I'd say] "Yes, I can come up tomorrow. Give me your address. Have the kettle on at 10 o'clock and I'll be in Truro. I'll be at Millbrook [or whereever]".

And, I've made a lot of contacts, a lot of friends that way. What started out as daggars drawn, led on to all kinds of good stuff. I came away from these bruising encounters a wiser man, and I could write with more wisdom the next time. And, next time I would annoy somebody else, and I'd invite myself to their house. [chuckles]

There was never a door that was closed to me because of what I've written. Even misguided columns that I wrote caused doors to open, or helped to open doors to me, through which I passed to a new understanding of problems, of people.

I never regretted any of the columns unless I hurt somebody inadvertently with something I'd written. They were embarrassed or held up to scorn in their community because of talking to me, and people misread or read into it their own prejudices and took it out on the person of whom I wrote. I regretted that, whenever I hurt somebody. There were people I hurt. Not deliberately.

I never knowingly used my position to hurt anybody, or threaten anybody, except once.

BB: OK?

PD: I did a story on a street person who had a dog. It was just a mongrel. It was his companion. The dog was in bad shape. It had mange. [It was] losing its skin. [It was] hungry. I did a story on this man and his dog. I convinced the man to get help for the dog through the SPCA, to trust the SPCA with his dog. He wouldn't abandon it, and he knew it needed help; and I convinced him to give it to the SPCA.

When I told a colleague at work what I'd done, my colleague said, "Oh, my God. You know they'll do? They'll just put the dog down!".

BB: Oh, no. I hope they didn't!

PD: Well, I was just beside myself. I phoned the president of the Nova Scotia SPCA. I introduced myself. "You have this dog in your care. If any harm comes to that dog, if you put that dog down because it's more trouble to try and cure it than not, I will come after you with my column. I will cause you all kinds of problems."

I'd never done that, [in] 43 years of journalism. Never, ever used my position, my freedom as a journalist, to threaten anybody, except that one time.

The dog survived, was given the most loving treatment. I don't believe ever had any intention to hurt that dog, but I wasn't taking any chances. The dog is now happily adopted by a family on the Eastern Shore. It found a new home. It's healthy. You would never know anything was ever wrong with it. The SPCA brought it back to life. And I feel good about that. But I was stunned that I might have caused it to be put down. [chuckles].

BB: I'm an animal lover and...

PD: You would have done the same.

BB: Yes. I would have done the same thing.











7. You spent the bulk of your Herald career, almost all of it, at the former Argyle Street building. How jarring, how emotional, was the move to the new offices at the Armdale Roundabout in 2008?

BB: Was it time to leave that place?

PD: No! Perhaps, Bev, if we had stayed on Argyle, my decision to leave the Herald when I did might have been harder to make. I missed the Argyle Street place. The longer I stayed in the new building, the more I missed the old building.

The old building was a newspaper building. It smelled of newspapers. It was old. It had mice. Paint was peeling. The elevator was slow, ancient. But, dammit, it was a newspaper building. The press was in the basement. There was ink in the walls. There was ink in the carpets. Damn, it was a newspaper building.

The new facilities on Joe Howe Drive were magnificent. I had never worked in such beautiful surroundings: Top-of-the-line furniture, desks, carpeting, accoutrements, wallpaper. But it was an office building. I had gone from a newspaper building -- which was like watering a plant for me: I thrivedi in it -- to a sterile office building. We had cubicles. You couldn't really see each other once you sat down and felt like you were in a call center.

The Herald spent a lot of money making the place nice for us. But the atmosphere didn't come with us. I missed [Argyle Street] terribly.

BB: You still do.

PD:I still do. I think if they moved back to Argyle Street, I might put an application in for a job. Even as a delivery boy!

BB: I think when they got the new presses out where ever they got them...

PD: Hammonds Plains.

BB: ... then the writing was on the wall for that space on Argyle, because the printing presses were on Argyle Street. I used to walk by there on a Friday night and see them loading up the papers. I guess the truck drivers would deliver all night? There would be that one printing press, and from there papers were distributed all across the entire province.

PD: The entire province, yes. It was the only industry still downtown when I came to town in 1980. I miss it. The Old Lady of Argyle Street. A dear old place. But, of course, we had to sell it to pay for the new presses. Or, to pay toward the new presses: it didn't cover the whole cost of the presses. Twenty-five million or so. State-of-the-art stuff; it doesn't come cheap.

God Bless the Old Lady of Argyle.

BB: Rumour is that it's coming down in October. That will be a sad day.

PD: I don't think I want to see it.




8. Do you see yourself starting a blog?

PD: No. I'm quite happy not writing, not communicating. Just being me. No blogs. No websites. No anything. Just being free and easy. At least at this point. Actually, a blog sounds like a lot of work.

BB: I have a daily deadline I give myself. I try to write something every single damn day. I only have 30 or 40 people who read it [every day], so I am not sure if they appreciate it or notice, but it's something I do.



9. Do you keep in touch with your former colleagues?

PD: Sadly, no. I've spoken to a couple over the past two months; but that was more just to congratulate them on nominations they got for awards and a little union business that needed taking care of. But other than that, no. I've had coffee with a dear friend at the paper a couple of times. We keep in touch. But I'm not one of these people who, when you leave, you have to keep going back every six months and walk around your old work place and talk to everybody and get on their nerves [chuckles].

Bev, I figure: When you're gone, you're gone. Walk away. Don't go back. That's it. New adventures. New friends. I'll be good.

BB: Acknowledge your past, but don't live in it.

PD: But don't live in it. Well, we're different already. Two months, even a day's separation, you're not the same. So, why try and make it the same?

No. I'm not going back.





10. Is there a future for print media in Halifax?

PD: [chuckles] You save the easy ones for last, don't you?

BB: Yes.

PD: Bev, I believe there is. Short answer. What shape it will take, I don't know. A hybrid of the tactile (the papers we have now) married to the internet. Whether the paper itself is a teaser for what's on the web... I don't know. Some kind of hybrid, anyway.

Newspapers as we know them? No. They're in a state of flux, a state of change. Will they perhaps marry with television and radio? The leader's debate [for the then-running provincial election campaign] on CBC on Monday night was a joint Chronicle Herald-CBC production. You'll see oftentimes when polling is done, not necessarily for elections, but polling is done, it will be a joint CBC-Globe and Mail effort. There are synergies happening between media...

BB: Is that a way to save money? I'm presuming it's really expensive to do a poll.

PD: How much, I don't know. But I would imagine so. I think there's an economies of scale there. Who's to say that that kind of cooperation with the debate that we're mentioning, that we don't see that expand. Perhaps a series on the Sydney tarponds, or poverty in Nova Scotia, or some major issues where CBC or CTV and the Herald link up and you'll see it in both media.

I think it's coming into an exciting phase, newspapers in general. Scary: Some of the big names are disappearing. But those who will be left, and I believe that the Herald will be left, will survive. I think our grandkids will be reading The Chronicle Herald, in some form, in some fashion. The Herald isn't going to disappear. But it will change. It has to be relevant. For a medium to survive, it has to be relevant.

And I'm not sure politics is paramount in people's lives these days, given the distrust that we have of politicians. They open their mouths. We know they're lying. And yet we still, and the Herald still, devotes a lot of space to politics. I'm not saying we should not cover politics. I'm saying that a story about poverty in Nova Scotia ...

BB: That was an excellent series that you guys did.

PD: Wasn't it! That will be more read. Issues that come right in through your front door are what the Herald needs to do.

What other issues? Crime. Fear on the streets. We do crime stories every day. There's a problem out there. I don't have the answers to how we can write about it that will be different to how the Herald has written about it before. But, somehow, we have to get into people's homes with these issues. Given the Herald, and I'm talking about the Herald because I know it best, given how the Herald's staff has shrunk, and its resources are not as big as they once were, I think that the Herald needs to brainstorm more [on] what people need to read because the Herald, like any other newspaper that's in business, has to sell papers. It's nice to be a public trust, and to fight for the litle guy and to expose corruption and to have all of these altruistic ideals. It's good to have that. But the bottom line of a newspaper, of a tv station, of a radio station: Make money. And you only make money if people are buying you or listening to you. And you only get people reading you if you're writing about what's on their minds: What's pleasing them, what's hurting them, what's scaring them.

BB: What's affecting them.

PD: Yes. What comes in their front door when they come home at night. Bev, one of the things I used to do when I worked at the Herald: I trained myself when I would be in public, after work, going to Sobeys, get my groceries. I trained myself to look at the people around me, in the line ups, waiting to pay for my groceries. To listen and to look at them. To the woman ahead of me with her two little children, squalling away. She's tired. She just wants to get the groceries paid for and get home. I'm looking at her and thinking, "What can I write about tomorrow that's she's going to want to read?" She's going to tell the kids to be quiet while she reads takes five minutes to read Duffy. What can I possibly write to capture her attention, given the other things she has going on her in life?

And, the guy standing in front of me. He's wet. He's tired. He's on his way home from work, and it's been a rainy day, and he's had a bad day. What the Hell can I write about that will capture his attention? I think that the Herald, all media, need to go stand in the grocery store lineup for quite a while, for quite a few weeks, and just listen. And look. And figure out: What can we possibly put in our paper, on our radio station, that will capture this poor woman's attention, this woman with her kids, and this guy who's wet, and this old person who doesn't have a lot of money and she's not sure how she's going to pay for her groceries. What do we need to write about, that will get their attention? That will interest them? Help them, perhaps? But, most of all, make them buy the damn paper tomorrow? [chuckles]



Wrap Up:

BB: Peter Duffy, thank you so much for your time today. I know you're retired and like to take things easy, so I appreciate your coming downtown and sitting down with a silly guy like me. I hope, as a blogger, that I didn't ask questions that were embarrassing or inappropriate because I'm learning how to interview as I go along.

PD: Bev, the pleasure was mine. Thank you for even thinking of me. I'm flattered, really. This is a nice change-of-pace where I get to say what I think in an interview, for a change. This is interesting. And I thought your questions were good ones.

BB: I appreciate your kind words.

PD: You were good. You done good!

BB: Thank you again.

PD: My pleasure.

Thursday, July 9, 2009

864th Post - Interview With Z103.5's Nikki Balch

Nikki Balch Interview -- May 22, 2009; July 9, 2009

video


Nikki Balch was kind enough to meet me for lunch in late May, at the Mongolie Grill, one of my favourite restaurants in Halifax. We met again in early July because I didn't record one of the questions I thought I had recorded. Silly me. More on that later.

We arrived at the Mongolie Grill. We grabbed our bowls. Filled them with food. They grilled it for us. And we started to talk.


1. How did you get your start in radio? Where have you worked?

Nikki Balch: I started in radio in Radio And Television Arts, at NSCC. I went to the Kingstec campus in Kentville.

Bevboy: With Dave Bannerman?

NB: With Dave Bannerman. He was my radio teacher. He's a phenomenal instructor. It was a two year program. After my first year, I had an internship at a radio station in Moncton, K94,5. It was an internship, and then I ended up getting the evening show job there. So, I worked there for about six months, and then Z103.5 came on the air here in Halifax.

BB: In 2006.

NB: Yes. Exactly. I was really itching to get back home. I mean, I love the Maritimes no matter what, but I'm from Halifax. So I want to get back here and get a job here. I was so pumped when Z was coming whether I was going to work there or not because there was no station back here that played good music for the younger demo. So, I was really excited about it. So, I applied and got a job. Actually it was supposed to be the evening show here at Z originally. I had a little introduction one day on the morning show, and I kind of did not want to leave [chuckles].

BB: And there are three of you: you, Shane, and Jeff Cogswell.

NB: Yes.

BB: Is it a struggle sometimes to get a word in, or do you divide the duties equally among ourselves? How does that work?

NB: We work closely together, so there are always struggles, but we're allowed to be ourselves. We all appreciate that. So, for the most part I don't think we struggle getting our words in; that might be because I have all the words [chuckles].

BB: So, this is your second radio station?

NB: Yes.






2. What is the best piece of professional advice you have ever received?

NB: I couldn't even tell you who provided me with it first. Just basically that if you're not having fun at what you're doing, it's not worth it. I'm lucky I think to have learned that at a young age, that you can have jobs that you enjoy, and that you should always be doing that, and that everything else will work out. You can worry about how much you're getting paid. You can worry about money. You can worry about all of the logistics of the job. But the bottom line is that if you're not having fun, it's not going to be the best in the end.

BB: That's excellent advice. I've worked at some jobs that paid quite well, but I was miserable. I hated getting out of bed in the morning.

NB: Exactly. And when you're doing what you love, you're going to excel at it, and I think that money will come. It will all work out.

That's probably the best piece of advice.




3. If you lost your iPod, and I found it, what tunes on it would surprise me the most?

NB: If it were Christmastime, you would find Kenny and Dolly. That's my favorite Christmas CD ever. And, you'd be surprised to find some Country on there. Not some Honkytonk Country or anything like that, more so New Country music: Carrie Underwood, Tim Mcgraw, Taylor Swift (she's crossing over into CHR formats too), the Dixie Chicks, one of my favorites.











I think it surprises people that I know all the words to country songs, but I do. But I love so many different types of music.

BB: Does that imply that you might listen to other radio stations? Do you want to go on record for that?

NB: [chuckles] I'll definitely flip around to see what's going on, more than anything. If I had to choose to listen to a radio station, I would actually choose ours. I love our afternoon show, and I listen to it for entertainment, not because I have to listen to it. I just love our station!

BB: I like it too, for what it matters. My mother loves Uncle Kracker.




NB: Oh really?

BB: Uncle Kracker did a song with Kenny Chesney. I was watching the video with my mother. After it was over, my mother turned to me and said, " I like Uncle Kracker!".




NB: That's hilarious! My grandparents will tune in to listen to me, and my grandfather remembers the songs now. And he says, " I like Beyonce!". It's funny.

BB: I love Beyonce.





4. What is the typical day in the life of a morning show radio host? What time do you get up, and what types of things do you have to do at the studio before going on the air?

NB: 4:00 AM is wake up time. I don't know if that ever gets easy, but I so enjoy going to my job. I remember when I had jobs in high school, my Saturday morning shift at McDonald's, I called in sick so often because I was exhausted. It's too early to get up. I love my job so it makes it easy to get up out of bed in the morning even if it is the middle of the night, or when I would normally be getting home [chuckles].

We are at work around quarter to five. Then it's basically show prep, which you do the whole day through. I'm looking up entertainment news, and news for my Hollywood Headlines. Basically, what's going on, what people want to hear about. News that they basically have to hear about. They have to know what the word is, because they expect you to. A lot of that I did the night before; my blackberry as my friend because I'm always putting little show ideas in there, and my notes.

At 5:30 we're on the air until 10.

BB: 4 1/2 hours a day!

NB: It flies by. I feel like I don't even work; it's crazy. After that we will produce some commercials. We can do some more show prep, edit audio. I'm done that part around ten thirty or eleven o'clock in the morning.

BB: So, your day is done now?

NB: Yes. With radio, there are a lot of special events. Tomorrow, I will have to be out doing something. You're making a lot of appearances; you're in the community a lot, which I enjoy a lot. It's easy for me.

BB: You have nothing to do with the selection of your music, right? That's the role of your program director...

NB: And our music director.

BB: You don't know what you're going to play until you get there in the morning? You've no input in that. Maybe you can juggle round the order of songs?

NB: Yes. We can definitely do that. DJ NoLuv is our music director. He does all the research; he knows what people want to hear, and when. He has it all figured out. But, yes, we can switch around the order of songs if we want to. We can take a request or two. If there is a song our station isn't playing, that we really want played, then we can definitely have a meeting with our PD, and our MD, and we can talk about that too.









5. You won for best radio personality for the 2008 Coast Awards. Bevboy's Blog has not won for best local blog yet, not that I'm bitter or anything. How did winning that award feel, not that I'll ever know?

NB: Well, I will share it with you, first of all. It's really cool. I didn't expect it at all. I had an idea it was going on but I knew that people who had been in radio a long time had won the award in the past. It was totally unexpected. I don't know if I still even understand that. I was really excited. It's cool.

BB: Is it a plaque?

NB: It's a plaque, yes. It's in my hallway. I couldn't decide where to put it. I didn't quite want it in my bedroom, or in my living room, so it's in my hallway.

BB: How did you find out that you had won?

NB: They called me and they said they were calling the top three people to just ask them a few questions. I really didn't think anything of it. They called me back a week later, and they said, "You won! You get to go to the party!". I said, " Wow! That's pretty exciting!" And I didn't even vote for myself once! [laughter]

BB: OK. Were your friends impressed?

NB: Yes. Definitely.

BB: No jealousy from Jeff or Shane?

NB: No. Definitely not. They were really happy for me; they were proud of me. I think they were like me: They didn't expect that. We had not even been on air for quite two years.








6. What has been your biggest on air gaffe?

NB: Every once in awhile, I will make a mistake that I remember. I was actually in Moncton when I did it. It was a new song by Coldplay called Clocks. And I basically dropped the L!



BB: Oh, no!

NB: [chuckles] And there were children listening. I was mortified; I hadn't been in radio that long. I thought it was the end of the world. Looking back now was kinda funny, but it was horrible [back then]. I didn't just continue because I didn't know what to say; I didn't know if I should draw attention to what I said because I just said this horrible word on air.

BB: There are other ways to say that word I guess. That's the biggest error you want to admit to?

NB: Yes, exactly. I think it was worse when I drew attention to it. I didn't pretend like it just didn't happen.

I have no fortune [in my fortune cookie]. I must not have any future.

BB: Here. You can have mine.










7. Why do you refer to Halifax as "Hali" on the air?

NB: I wish I could credit myself with coming up with it.

BB: Dawn Sloane says it now!

NB: Does she? Basically, Halifax is one of my favorite cities in the world. When I picture Halifax, I picture Citadel Hill, the waterfront, all of these gorgeous things. Z103.5 came and we brought this night life back, which is just phenomenal. I think it was lacking here.

BB: Live radio, for one thing.

NB: Live radio, exactly. We're out at the bars; we're out at the clubs. We are approachable by all these Hali people, and that to me is "Hali". When fun things are going down, that's "Hali". You'll notice when I'm talking, if I'm doing the weather, I'll say, " Right now in Halifax", because it's in Halifax. But if something is coming to Hali... It's probably not right but [chuckles]

BB: No, I was just wondering where that came from. It's on your face book. It's sort of spreading, going viral.

NB: yes, definitely. It's a popular city, and you need a nickname.

BB: And "Fax" would not work.

NB: I like Hali. It's like Cali as in California.




8. What is it like to see a picture of yourself on the side of a bus?

[By way of explanation: Bev forgot to turn on the digital voice recorder for Nikki's polished, nuanced response to this question. She graciously agreed to meet with me again some six weeks later. Here is the transcript of this single question]

BB: All right. I swear I'm recording this time. The little red light [on the recorder] signifies that I'm recording. It is July...

NB: 9th, already.

BB: 2009, already. We've reconvened ...

NB: In the boss' office!

BB: In the boss' office. I see a lady up there in lingerie.

NB: It's Fergie!

BB: Fergie. Of course it is.

NB: And Nicole Scherzinger from the Pussycat Dolls. It's because of the music, not because of the way they look!



BB: Of course not, because that would be degrading to women, and you know how I feel about that.

NB: They're doing it to themselves though.

BB: They are. Nobody's holding a gun to their head.

NB: Exactly. Just a camera and a whole lot of money!



BB: That's right. I would do it. [Nikki laughs]

What is it like to see a picture of yourself on the side of a bus?

NB: It's similar to when I notice a picture [of herself] on Facebook that I didn't know was being taken, and didn't expect to show up there. It's not like, "Oh, my God! That's me on a bus." It's more like, "Oh, that's me." And you look for a minute and it's over. It's surprising in the moment, not just because it's on the side of a bus, but because it's you, something you're not expecting. You're not expecting it when you go to the grocery store. I make fun of us on it, anyway. We all do.

BB: Do you think of it as being another woman? Another person?

NB: Kind of. When you see a photograph of yourself on the internet, you go, "Oh, I didn't know that was going to be there", and it's you, and you continue on. It's different.

BB: That's why on my blog I'm always 11 years old. It was all downhill from there.

NB: [Chuckles]. We like to make fun of ourselves on it.

BB: Has anyone listened to your station, having been interested in the picture of you guys on the side of a bus?

NB: I don't think so. I think it's cool for people to be able to put a face to a name, but I don't think people are listening to the radio because of the way that people look. Maybe it just makes us more familiar when we're doing all the public events that we do. People are a little bit more familiar and are a little bit more willing to chat with us because we're just big losers. [chuckles]

BB: I wouldn't say that. I watched Jeff roll down a hill the other month...

NB: See? We're big losers!

BB: I shot it for the blog. It was the funniest laugh I had had in a long, long time.

NB: We just have fun. We don't take ourselves very seriously.

BB: That's awesome. And, further to that, how did you guys come up with the idea of the Stupid Sh*t day?

NB: Just one day, I said, "We need to do some stupid sh*t on Fridays". I don't know how I came up with it. Maybe I was mad at Jeff that day. I said, "I want Jeff rolling down Citadel Hill". And Dan said, "Wrapped in bubble wrap!". We're just big kids and come up with stupid crap that we wanted to do. The only way to put it out there was to say that we're doing stupid crap. But I think people are really enjoying it.

BB: I saw Jeff and Shane dressed up as very attractive women ...

NB: [Laughter] Yes. I think that was my favourite moment so far on the Z103.5 morning show. That morning was so fun for me. I got to Nair Jeff's legs! It was nasty and fun. [chuckles]

BB: I'm not sure if his wife would do that to him.

NB: I had so much fun. That was hilarious. They were such good sports for doing it.

BB: What's the stupidest thing they made you do?

NB: I've had to do so many things. I was down in the ferry terminal one morning asking to borrow a condom from somebody. [Nikki and Bev laugh]. Oh, I had to return Froot Loops because there was no fruit in them. That was probably the dumbest. I had to go to two different stores and return Froot Loops because I was mad there was no fruit in them. I actually got my money back both times, oddly enough.

BB: [laughter] And you guys just sit around and kibbitz and think of the dumb things to do? Do you accept suggestions from listeners?

NB: Absolutely!

BB: I'll put on my thinking cap.

NB: We love suggestions.

BB: I have a new feature on my blog called Stupid Things Bevboy Has Done". You can check that out if you like.

NB: We may have to derive some ideas from that.

BB: LIke the time I went hitchhiking when I was 15 years old. This car stopped to pick me up. I tried to wedge the front seat forward so that I could crawl in the back. And then the guy told me it was a four door car.

NB: [laughter]

BB: I'm not sure if that could be replicated too easily today.

NB: That's a good one. I'm surprised I haven't tried to pull that one yet.

BB: I"ll have a whole series of that up on the Blog. But, if I think of other suggestions [for Stupid Sh*t Fridays], I'll send them to you via Facebook.

NB: Sounds good.





9. What is the most mis-understood thing about hip hop music?

NB: I'd probably say the most mis-understood thing about hip hop music is that, first of all, it's not misunderstood as much as a lot of people tend to think that it is. They think that we're misunderstanding these rappers, that we're misunderstanding these hip hop artists. We're understanding them; we're just not necessarily happy about what they're saying, and what they're rapping about, and what they're talking about, because it seems kind of negative.

But. the thing is, it's their lives. I think that's the biggest misunderstanding there, is that they're creating controversy for no reason. I was just talking to a friend. He is here, [but] he is from California. He was talking a little bit about the gang scene there, and how people are brought up. It's a rough go. It's hard in some of those cities that they're from. This is all they had, was to write and make their music.

We forget that, number one, it's an art, and that they should have the right to express themselves in any way that they want to. We're also forgetting that it's real for them. Just because we're listening, and wondering, "Why are they talking about women that way?" It's because they're walking down the street, and that's how people are treating women.

BB: As a woman, are you bothered by some of those lyrics?

NB: It's real. It bothers me, but then I think about why it bothers me. It's because it's true. They're the only one who'll say it, but we all know that it's there, and that it's offensive, but it's society's fault. They're just rapping about what is, in my opinion.

BB: What is in their lives, in their point of view, when they speak about women as (and I'll say it once only) "bitches" and "ho's"? Are they speaking about all women in general, or are they speaking about the women in their own lives? I guess there's a slight distinction there.

NB: I'd say it's a reflection of ... most rappers want to rap about where they're from. That's why, [if] you listen to Classified from Enfield, he's not rapping about bitches and ho's. He's not, because most rappers want to rap about what they know.



And, so, I don't know if they're talking about the women that they're with, or all women in general, but either way, it's a reflection of the way that society feels.

People put such a problem on there. The way things are portrayed in the media, like women's weight, but I think a lot of the women are doing it to themselves. How can you feel bad that they're saying that women are dumb when Paris Hilton is out there acting dumb and encouraging young people to do that exact same thing?

BB: Yeah, women can be really hard on other women, too.

NB: Yes. Absolutely. So, I'm not mad at them for rapping about it, though, because it's a reflection of society.

BB: I don't want to put words in your mouth, but they have a right to do what they're doing, and if you're personally bothered by it I guess you have the right not to listen to it.

NB: Absolutely. I think that people complain about their kids. I think that is one of the big problems. They don't want their children to listen to it; they're angry that their children listen to it when they're not monitoring what their children are listening to, and they're not there to teach them the difference. I think that's a problem, and it all goes back to parents not spending enough time with their kids, which is why they're rapping about it. They're rapping about it because it's a reflection of society.

NB: It's all a bunch of things. They'll say, "I don't want you listening to Eminem." But, you should listen. My children, I'll make sure to listen to every song by an artist before I'll take them to a concert. I think that it's totally up to you, and I might decide to let my children listen to it, and teach them the difference. Other people may decide not to let their children listen to it. It's their choice.

Basically, I think that people beating on hip hop artists so much just gets them riled up.

BB: It encourages them.

NB: Exactly.

BB: Well, there are a lot of rock songs that are about similar themes.

NB: Exactly!

BB: Maybe they don't use words like "bitches" and "ho's", but they use others words that mean the same kind of thing. I grew up listening to that kind of music, and I don't have a criminal record, or anything like that. I guess it's how people choose to internalize it, and what they think of it, and whether they think of it as entertainment, or if they think of it as a way of life.

NB: Exactly. I think it's their art; they're rapping about their lives. There are some things that offend me in songs. I'd be lying if I said they weren't offensive, but I can't be offended by the fact that they're saying it because it's their art, and they're allowed to write about what they want.

BB: Maybe you wouldn't know; you're not the program director or music director. But do you ever get flak from listeners for playing certain songs? Or do you play the radio edit of songs so that the "bitches" and "ho's" are edited out?

NB: I don't know about that, honestly. I think I know that I don't notice. My mom might say the same thing. I don't think people are noticing any more. It's kind of old that they're saying scandalous things in their songs. It's kind of old, so I don't know that people were trying to censor their kids instead of trying to teach them the values. It's kind of hard. You're going to hear it on the Country station.

BB: But, listeners aren't calling you up and saying, "Why are you playing that song?"

NB: No. I've never had anyone do that.









10. You probably have to play some music sometimes that you personally don't like. I have always wondered how jocks "sell" those songs to their listeners. How do you get yourself in the mindset of pretending to be enthusiastic about songs or artists you don't like very much? Should how you feel about certain songs even matter when it comes to playing them?

NB: I would say no. The way you feel definitely is not a factor, I wouldn't say. I love our music. There are very few songs, I can't even think of one off the top of my head, that I don't like. I think it goes back to that I feel that it's an art. You'll never hear me say, " I hate this!", or, " I hate that kind of music!". If you can't appreciate it for what it is, even if it's not necessarily your taste, not what you choose to listen to all the time, then you're not taking it for what it is.

I can listen to just about anything once. There are very few times I have to shut off the radio because I don't like a song on any station.

BB: On any station? So you will listen to the Country station, and very seldom will you hear a song [that you don't like]?

NB: Yes. Exactly. Maybe like an old old Country song, I'd be like, " I don't want to listen to that". But my grandparents would love it! And I would understand why they do. Music is a personal thing, and I haven't really closed my mind to any type, yet, anyway.

But I've been really lucky in my career so far. I've never really had to play music I don't like. I've never worked at a Country station. It hasn't happened to me.

BB: If Z103.5 decided to change formats tomorrow, but they wanted to keep you on the payroll, which is good for you, but they decided to change formats to a Classical station with Montovani and Beethoven and so on, would you be able to get yourself behind playing that?

NB: I could play it, but I don't know if anybody who likes type of music would want to listen to my voice and my energy. I might kill it a little bit [chuckles]. It would be a little bit insincere for sure.

BB: How about a classic rock format? I mean, you have to do what you have to do.

NB: Classic rock, I would be good to go. Maybe classical music or bluegrass I might not be down for.

BB: David Lee Roth of Van Halen did a bluegrass song a couple of years ago. Do you remember " Jump"?





NB: Really? How was that?

BB: The way you would expect it to be. Pretty uncomfortable to listen to.

NB: But I still get that the people who are playing those instruments are working really hard. It's such an art form for them.

BB: So, music is an art to you? It's not just a form of self expression? It's not a commodity. It's really an art?

NB: It's art. There is good art, and there is bad art. There is art that you appreciate more than others. But I definitely think they are artists. We're so hard on musical artists, I find. Whereas, they're just music makers. Somebody does a painting, and then they go crazy and do something, then that painting's probably going to be worth more. If a musical artist does that, we are going to ban or not listen to their music. I don't get that.



11. Nikki asks Bev a question.

BB: I asked Ian Robinson this question. I'll try it with you. Is there a question you want to ask me?

NB: OK. If you were doing something with your life completely different than what you're doing now, what would it be?

BB: Radio.

NB: Radio? Really? So, why aren't you?

BB: Why am I not? It's a very fair question; lots of people have asked me, and I'm happy to answer the question. I'll go on the record. I was so shy when I was growing up that, I remember I went to a different high school for Grade 10. It was a small school, and there were only two grade 10 classes: 10-A and 10-B. My name starts with a K, so it was right on the dividing line between "A" and "B". For the first month, I was registered in the wrong home room class. My "home room" teacher, who really wasn't my home room teacher, for the first month was doing roll call and not saying my name. In the other classroom, where I wasn't, I was being marked absent.

NB :Oh, no!

BB: They discovered the error. They asked me why I hadn't said anything. It was because I was too shy to put my hand up and say something.

So, here I am with this life long love of radio, and intimidated into submission at the thought of entering that field. I thought, "How the Hell would I ever go on the air, as awkward as I feel?" When I play back this interview that you and are doing, I will hear your lovely voice and my own naisily, whiney, mumbly voice. That's all I'm gonna hear.

NB: Really?

BB: I am a shy person and it would be difficult for me [to be on the radio]. That's one reason I joined Toastmasters a bunch of years ago: To help overcome my fear of public speaking.

NB: That's great.

BB: So, if I were a young fella again, your age or younger, I would probably do it, with the confidence I have now. But, back then, frig, no way.

NB: Reallly?

BB: I had to go into Computer Science. Something simple.

NB: Simple! My God, yeah, right!

BB: If I had it to do again, that's what I would do.

I've talked to a bunch of you guys [radio personalities], and a common thread for many of you is that a lot of you are shy anyway.

NB: Yes.

BB: I just can't believe it. I find it so hard to reconcile being on the air and talking about what you did last night, and being really enthusiastic about it, to being off the air and being shy and not looking me in the eye. It is hard for me to marry those two up. Shyness is a common thread with a lot of jocks, isn't it?

NB: I definitely think so. I wouldn't call myself shy, but I've definitely met a lot of people in the industry who've been shy. I've always been kind of an outgoing person,. and talkative; but I've found for instance this: You interviewing me, made me more nervous than me interviewing somebody else. I find it easier when there is a spin on somebody else. Obviously you can hear my voice; I'm doing it. But it's easy when the pressure is off me.

BB: Why did you agree to my interview [request]?

NB: Because you sounded like you had such a love for radio, and everybody that is in radio and loves their job has a love for radio as well. I read your blog and I really enjoyed it. And, I am an outgoing person. I do love chatting with people.

BB: And, besides, I'm paying.

NB: Yeah! Exactly! And I got some lunch.

BB: All right. That's my secret origin. If I had it to do again, I'd go into radio. I don't know what format I'd be in. I'm not sure if I'd be any good at it. But I still think that radio is a pretty cool thing to listen to. I bought an mp3 player a few months ago. After work tonight, I'm taking it back because I want to listen to radio all the time [on my walkman]. I don't want an mp3 player any more.

NB: Good for you!




Wrap UP


BB: Nikki Balch, thank you so much for coming out today. It's a lovely day, about 30 degrees.

NB: It's gorgeous!

BB: I have to go back to work, but your work day is done. I have to work until 4:30 or 5 o'clock or whenever they'll let me out. You get to finish your work day at...

NB: 10:30, 11 o'clock. It's a tough one.

BB: Anyway, thank you so much for coming out again. I appreciate your time. And... spread the word of the blog. I want lots and lots of readers. You have a personal blog on the Z103.5 website.

NB: Yes.

BB: I would not be offended if you linked to my blog from your blog.

NB: I should do that. I should definitely do that. I might do a little facebook postage of it, too.

BB: I want to win for best Blog this year.

NB: I want you to win, too! I will campaign for you.

863rd Post - United Breaks Guitars

I have enjoyed the music of The Sons of Maxwell for years now. Dave Carroll travelled with United Airlines last year and saw baggage handlers tossing his expensive guitar around. When he opened up the case, it had been smashed.

Getting the run around for months from the airline, he became so frustrated that he did this song. There have been nearly 390000 hits in just two days as more and more news outlets are picking up the story.

Yeah. I am on the cusp of 30 000 hits. Lucky me.

It's a good song, a funny song, and embarrasses the hell out of people who deserve it.

I hope you like it.






Bevboy
P.S. T-7 days!

Wednesday, July 8, 2009

862nd Post - This Is Why They Hate Us!

There are millions of people in the world, tens of millions of them, who can't get enough to eat. They subsist on dirt or a potato or rice or whatever. Here in Nova Scotia, there are thousands of unemployed or underemployed people who are, as the term goes, "food insecure". Paying for food is a challenge.

I think about these poor people, and then I think about the dumbasses who vie for things like hotdog eating contests. People overeating is something that really only happens in the West. In other parts of the world, not so much.

Watch this video if you want. I really can't bring myself to.

BTW, this guy wins year after year.



Bevboy
P.S. T-8 days!

Tuesday, July 7, 2009

861st Post - Interview Update

If you are lucky, if you are good, there should be 2 interviews up on the blog by week's end. One is with a radio person, and the other isn't. They are both interesting, enlightening interviews, and I am looking forward to sharing them with you.

I examine the stats associated with this blog on a regular basis. The Denyse Sibley interview is consistently the most popular page on this blog. Hundreds of people have read it. Pretty gratifying, that. I found her to be a lovely person.

I am still transcribing a major interview with another radio person. Incredibly revealing stuff there. I keep thinking of what Art Linkletter said many times: His favourite interview subjects are kids under the age of 10 or so because they don't know any better; and people over the age of 65 because they don't care. This guy talks about the state 0f radio now, names a famous person he had an affair with, and just doesn't mince words. Look for that interview soon.

Other interviews are with the subjects f0r final vetting. Some have had the transcripts for weeks and weeks. I know. I agree.

Anyway, thought you'd like to know.

Bevboy